Go Home
Bibliothèque: A Library of Folding and Unfolding
Bibliothèque: 접힘과 펼침의 도서관
Bibliothèque: A Library of Folding and Unfolding

2010.7.13[Tue] - 2010.8.24[Tue]
Private View: 2010.7.13[Tue] 6:00pm

KT&G 상상마당 갤러리 1 (2F), Korea Seoul

윤영규 (상상마당갤러리 큐레이터) 현대미술에서 작가는 개념미술이 도래한 이후 많은 정보의 수집과 분석을 통하여 개인이기도 하지만 시대의 현상과 증상의 통합적 대표자로 위치하였다. 이에 따라 전시 공간은 더욱 관념적 공간으로 변모하게 된다. 여기서 미술의 자료는 단순히 작가의 데이타만을 말하는 것이 아닌 시대적 배경, 사회적 환경, 역사, 일상 등이 조합된 통합의 메신저 역할을 하기도 한다.

이번 전시에서 우리는 “Bibliothèque: 접힘과 펼침의 도서관”을 통해 전시장이 갖는 자료의 생성과 소멸, 그 보존에 대한 물음을 던지며 전시뿐만이 아닌 예술에 대한 연구가 함께 마련되는 공간성을 제안한다. 이와 더불어 전시의 부제인 접힘과 펼침의 도서관은 정보의 열림과 닫힘의 반대적 성격이 아닌 정보의 상호 유연성을 말한다. 이는 선의 일부가 점이 아닌 것처럼, 접힘은 펼침의 반대가 아닌 또 다른 접힘에까지 접힘을 따라가는 무한성을 요청하기도 하는 것이다.

본 전시는 비블리오테크란 무엇인가?의 질문을 너머, 현 미술계가 당면한 자료로서의 기능과 이것이 전시공간에서 어떠한 역할을 하게 되는지에 대한 실험의 전시이다. 우리는 이 실험을 통해 ‘갤러리’라는 공간의 역할 가능성과 그 가능성의 시간을 탐구하여 볼 것이다. 작가의 작품이 선보여지는 전통적인 공간의 성격 이전의 것인, 예술 정보의 군집을 이루는 공간들이 어떻게 자료를 수집하고 보존하는지, 또한 어떠한 정보를 어떻게 남길 것인지에 대한 질문을 던지고 해답을 추적해 가는 과정적 전시가 된다.

Bibliothèque: A Library of Folding and Unfolding
Yoon Youngkyu (Sangsangmadang Gallery, Curator)

Since the introduction of Conceptual Art in contemporary art, through rigorous collection and analysis of vast amounts of information, an artist, as much as one is an individual, has come to the position oneself as a representative of the phenomena of the times. Following such conditions, an exhibition space has evolved into a conceptual space. Here, art material does not merely imply the artist’s information, but it also works as an integrated messenger covering the era, social environment, history, and the everyday lives of people.

In this exhibition, through Bibliothèque : A Library of Folding and Unfolding, we propose an extensity created not just by the exhibition, but also the research on art, exploring the investigation on the creation and withering of materials harbored by the exhibition space and the preservation of such. The subtitle of the exhibition, A Library of Folding and Unfolding, implies that folding and unfolding of information are not of contrary nature, but one of mutual flexibility. As folding and unfolding are not contrary concepts, this calls for an infinity where folding is followed by another folding, like the way one a part of a line is not a dot.

Going beyond the question of “What is Bibliothèque?,” this is an experimental exhibition looking into the true function of an exhibition space as an instrument in today’s art world. We will explore the various roles and possibilities and the time of possibility offered by the space of the gallery through this experiment. The exhibition serves as a procedure for throwing out questions and finding answers on the nature of the exhibition space beyond just a mere space to display artists’ works, on what such space collects and preserves this information, and on how some information to be preserved.
The 60th Commemoration of the Korean War: present from the past
The 60th Commemoration of the Korean War
present from the past

16 June 2010—17 July 2010
Private View: 18:30—20:30 Tuesday 15 June 2010

Korean Cultural Centre UK
This exhibition brings together newly commissioned pieces by 40 Korean artists to mark the 60th Commemoration of the Korean War. A subsequent auction will see all proceeds going to the British Korean Veterans Association Relief Fund. Each member of the BKVA will be given a limited edition postcard of art works by the respective artists, to mark their personal gratitude to the liberty these veterans helped to secure. www.vegasgallery.co.uk
Hong Kong International Art Fair 2010
Hong Kong International Art Fair 2010

Kukje Gallery Booth F01
May 27-30,2010
Appropriate Modernism
Curated by Ken Pratt

Centrifugal @ Trajector Art Fair 23 to 25 April 2010
- Hotel Bloom! - rue royale/Koningstraat 250 - Brussels - Room 120

Carla Arocha + Stéphane Schraenen, Bettina Carl, Jasmina Cibic, Alex Hudson, Eemyun Kang, Anne-Mie van Kerckhoven, Uta Kögelsberger, Sadie Murdoch, Morten Viskum

‘Appropriate Modernism’ is a thematic presentation. It offers something of a nod to the location of a hotel room revamped over the skeleton of a building dating from the dying days of a certain modernist vernacular, yet it is not ‘site specific’. The presentation concerns itself with a cohort of very different artists whose work directly references or appropriates modernist visual and operative languages, simultaneously engaging with the political modalities contained in notions or the residues of modernism (or, indeed, Modernism) and its readings.

In the work of some of the artists the feminist issues relating to Modernism are addressed; others engage with the poetics of its ideologies. And others still use its aesthetic structures as an opening for a discussion of the ethics of science. Some even continue its formal tradtions, albeit with a practice informed by much more recent developments since the advent of conceptual art.

The tendency to revisit Modernism in art works has gained increasing visibility in recent years, particularly for a certain generation of artists. ‘Appropriate Modernism’ aims to offer something of a counterbalance to cast of ‘usual suspects’, focusing its attention on artists whose practice has addressed the topic for years and/or artists whose work approaches the topic from less direct routes.

www.trajectorartfair.org
www.centrifugalprojects.org
www.artbrussels.be
SeogyoSixty2010: The Imaginary Archive-The gaze of 120展
SeogyoSixty2010: The Imaginary Archive-The gaze of 120展

Part 1. 2010_0323 ▶ 2010_0420
Part 2. 2010_0427 ▶ 2010_0525

Private View_ Part 2. _Tuesday 27 April 2010 _06:00pm

GALLERY SANGSANGMADANG
367-5 Seogyo-dong, Mapo-gu, Seoul, Korea
Tel. +82.2.330.6223~4

gallery.sangsangmadang.com
GIVEITANAME - Group Exhibition
GIVEITANAME - Group Exhibition

2 April - 9 May 2010
Private View: Thursday 1 April 18:30 - 20:30

Eemyun Kang
Heringa/Van Kalsbeek
Gemma Nelson

VEGAS
45 Vyner Street
London E2 9DQ
www.vegasgallery.co.uk
Solo Exhibition:"Dozing River", New York
Solo Exhibition:"Dozing River"
February 26 – April 10, 2010

Tina Kim Gallery
545 West 25th Street
3rd Floor
New York, NY10001

Opening Reception: Friday 26th February 2010, 6-8pm
Royal Academy of ArtSchools Annual Dinner and Auction
Royal Academy of ArtSchools Annual Dinner and Auction
Tuesday 23rd March 2010 7.00pm-midnight
ColdCell, London
ColdCell
Preview: 18 December, 6 PM - 1AM

The Old Police Station
114 Amersham Street
London SE14 6LG
TEL +44(0)20 7739 9119
FAX +44(0)20 7729 9461

Opening Hours and Dates
19-20 December 09
Saturday-Sunday 12-6 PM

07-10 January 10
Thursday - Sunday 12-6 PM
U.S.B, Emerging Korean Artists in the World 2009, Seoul
U.S.B
Emerging Korean Artists in the World 2009

Private view: 4.11.2009 5pm
Dates:5.11.2009-6.11.2009
Seoul Arts Centre
Frieze Art Fair 2009 Regent Park, London
Frieze Art Fair 2009
Regent Park, London

Booth C 16

October 15-18 October 2009
Opening Time 11:00am
Closing Time 7:00pm (6:00pm Sunday)
Code of being, 19 Sep - 31 Oct 2009, Gallery WITHSPACE, Beijing‏
Group Exhibition (Eemyun Kang, Gorka Mohamed and Jill Mason)
Where: Gallery WITHSPACE, Beijing
When: 19 September to 31 October 2009
Curated by Bright Treasure Art Projects

Bright Treasure Art Projects (BTAP) is delighted to announce a group exhibition of 'young international artists'. Bringing them from London to one of the most promising art galleries in the centre of the famous 798 Dansanzi Art District in Beijing, China. This group exhibition is all about three artists' views and interpretation of the world they exist in. Their close observation of their surroundings and the passing of time is individually and uniquely interpreted on their canvases. Our existence and the fundamental workings of the universe that are intermediated through 'creation' and 'transformation' in their works. Eemyun Kang's main themes are rooted in Korean mythology. To Kang, mythological metaphors are not only a way to lead macro discourse on historical traditions and individuals but also a way of discovering the origins of humanity. In this body of recent works, she experiments with the possibility of transforming living creatures and landscapes derived from her previous mythological themes. For Gorka Mohamed, his paintings are deconstructions of messages hidden in the world around him. His works whimsically combine his self-awareness as a contemporary artist with many of the traditions of Spanish Old Masters. His distinctive visual interpretation of his journey through the world lead us to the greater understanding of the contemporary art world where real 'masters' no longer exist and other genres supercede their positions as 'art'. His own position in the politicized struggle of contemporary art is an underling theme which is not immediately obvious in his work, but is constantly revisited in different layers. Jill Mason's rotated landscapes at first sight are secrets waiting to be unlocked by the viewer. Her signature vertical landscape and cryptic titles suggest fresh views of emotionally translating the world. More works on the same theme will be presented at the British Art exhibition “New Speak” organized by the Saatchi collection at the State Hermitage Museum in St. Petersburg, Russia. Mason's hope for her work is that it will remain as pure paintings in physical existence before imposed theories, references and academic jargon. Her titles are often used as means to evoke a particular emotional interpretation upon highly interpreted images. This breathtaking simplicity is a wonderful way to escape from the overly self-conscious contemporary art world today. In this show, discerning connoisseurs can enjoy the unique experience of understanding the way the artists perceive the world around them. 'Code of Being' or 'riddles' in these paintings reveal a secret of life that we have not yet seen.
Cross fields, Korean Cultural Centre, UK
Exhibition dates
30 July 2009-12 September 2009

Private View
18.30-20.30 Thursday 30 July 2009

Korean Cultural Centre UK
Ground Floor Grand Buildings
1-3 Strand
London WC2N 5BW
Royal Academy Schools Show 2009
Royal Academy Schools Show 2009
17-28 June 2009
Open Daily 10am-6pm
Admission Free

Royal Academy Schools
Burlington House, Piccadilly
London W1J 0BD
www.royalacademy.org.uk
Travellng Light
London/Venice Biennale 2009
Travelling Light is an exciting collaborative project between a dynamic trio of female East End director/curators, Sophie Wilson of Pharos Gallery, Chiara Williams and Debra Wilson of WW Gallery. Intending to stretch the imagination of their artists through imposing size and weight constraints, the brief demands that work arrives by post for the London exhibition before being transported to Venice for the Biennale. The dogma has encouraged lateral thinking and some interesting responses: artists used to working on a larger scale have had to challenge their usual practice and leave their comfort zone, often to surprising, silly and outright creative ends. ---------------- London dates: 15 May - 28 May 2009 Press: Thurs 14 May 6-9pm Private View: Fri 15 May 6-9pm Opening times: Sat-Sun 12-6pm or at other times by appointment only. Address: WW Gallery, 30 Queensdown Rd. Hackney, London E5 8NN, UK Venice dates: 6 June - 10 June 2009 Press: Sat 6 June 10-6pm Private View : Sun 7 June 3-9pm Opening times: Open daily 10-6pm Address: 622 Fondamenta Bragadin, Dorsoduro, 30123 Venice, Italy
Eemyun Kang & Ben Pritchard
Cafe Gallery at Royal Academy of Art, 1st May-29th June
The Café Gallery is pleased to exhibit works by two painters from the Royal Academy Schools: Eemyun Kang and Ben Pritchard.

Eemyun Kang (Pusan, Korea) previously studied at Ewha University, Seoul, Korea and The Slade School of Fine Art, London. From the Imposing, large-scale to the intimate small-scale the beautiful oil paintings investigate the relationship between nature and mythology.  Gestural brushwork allows imagery to remain in flux between abstraction and figuration, in a dramatic state of perpetual becoming and metamorphosis.

Ben Pritchard (Detroit, USA) previously studied at School of the Art Institute, Chicago. Referring to the development of gestural abstraction in painting, Pritchard also acknowledges the impact of the everyday, visual cacophony that surrounds us.  His paintings vary from diminutive to monumental; these shifts in size reflect the ever-changing parameters of responses, ideas and intuitions that inform his poetic interest in colour, line and form.

They are both final year postgraduate students and will be exhibiting comprehensive solo presentations in the annual exhibition of students' work from 17 - 28 June 2009 in the Royal Academy Schools. Established in 1768 as an integral element of the Royal Academy, the Schools' environment is unique. This distinguished heritage provides a rich setting in which the students can develop their individual practices, with each tightly knit year group adding a new chapter to the Schools' history and the possibilities of contemporary art making.

The Royal Academy Schools final show profiles the high quality work of 18 exciting new artists that has been developed over the three-year period of their intensive studies. The spectrum of work this year ranges from luscious expressive painting, through graphic pop sculpture to darkly ominous photography. The show provides visitors with a rare opportunity to view exceptional work from an ambitious generation of international artists that rigorously questions what it means to be producing visual art in 2009.